10/12/10

Chris Toll


photo by Matt Walker

One night I was in the Club Charles – just me and one of my demons out for a few drinks. I was sitting in the banquette nearest the door. My cell phone rang. I pulled it out of my pocket and accidentally dropped it. It took a funny bounce on the seat and slipped into the crack between the bottom cushion and the back cushion. I dug around for it. I found it – and I also found a sealed envelope. The envelope was incredibly old. In bold script, Para A. L. was written on the front. I stood up and stepped closer to the front window. In the backwards pink glow of Cocktails, I opened the envelope and pulled out a single sheet of paper. I gingerly unfolded the sheet. A poem was written in Portuguese. Beneath the poem was scrawled a signature – Eddy Poe. I contacted my mother’s niece who lives in Richmond, Virginia. She told me that in the summer of 1826, when Poe was 17 years old, he traveled to Brazil. He took only the clothes he wore, a greatcoat, and his foster father’s sword. He forged identity papers and said he was 25. He enlisted in the cavalry, and troopers and officers soon noted his ferocity in battle. I showed the poem to several Poe scholars, and after some research, they concluded that he wrote the poem for the wife of a wealthy merchant. They also concluded that an angry mob chased Poe into Venezuela. How the poem ended up inside a banquette in the Club Charles is a mystery.

Money Never Weeps
by Edgar Allan Poe
(translated by Chris Toll)

The time machine flickers.
Tiny explosions devour the control panel.
A blue-skinned sentient biped
lies in a slowly growing puddle of green blood.

Brainwaves operate the omnidimensional rifle.
A brave stands inside the treeline.
He keeps killing white devils on the beach
until the big wooden ship sails away.

The Queen of the Vampires mounts her skeleton horse.
She has assembled an army of zombie shamans.
They storm Jerusalem and rescue Jesus.
No cross is erected on top of Golgotha.

I trade my rare coin collection for a bottle of absinthe.
O Dark Beauty, I meet you at the cotillion
where a graveyard dances with a shopping mall.
I love you in life and I’ll love you in death.


Chris Toll is a poet and collagemaker who lives in Baltimore, Maryland. He co-curates the Benevolent Armchair Reading Series. His next book will come out in 2011. It will be called: The Disinformation Phase.

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